The synth-saturated 'Strange Magic' is one of their most colorful songs, and 'Evil Woman' has Jeff Lynne showing off his concealed yet masterful voice. Find album reviews, track lists, credits, awards and more at AllMusic. Please note that current conditions/regulations/guidelines are subject to change based on the status/situation known at the time and when the event takes place, and may be different than those presented/printed here. Discover Strange Magic: The Best of Electric Light Orchestra by Electric Light Orchestra released in 1995. Failure to follow MPAC guidelines at any time will result in expulsion from the theater without a refund. Ticket buyer and members of the ticket buyer’s party agree to observe and obey all instructions, warnings, or other requirements provided on site, including wearing a mask, practicing social distancing, temperature checks, participating in contact tracing if necessary and other guidance that may be communicated on site or in advance of the event. Ticket buyer and members of the ticket buyer’s party agree to voluntarily waive, release, defend, indemnify and save harmless MPAC together with its employees, volunteers, Board of Trustees, artists, sponsors and affiliates against any damages, claims, lawsuits, liabilities, attorney fees and expenses which they may sustain, be subjected to, or caused to incur should ticketholder or members in of his/her party contract Covid-19 or any other illness or injuries related to the Covid-19 virus including death or otherwise. Watch the video for Evil Woman from Electric Light Orchestras ELOs Greatest Hits for free, and see the artwork, lyrics and similar artists. Here are 10 of those best moments-scenes that not only include an ELO song, but are elevated by them as well.Due to the current pandemic (Covid-19), ticket buyer and members of the ticket buyer’s party understand that there are inherent risks associated with attending performances, events and classes presented by Mayo Performing Arts Center (MPAC) at our building and in the community, and agree to assume all risks with regard to the pandemic. That’s why, in the right hands, it can make for something that’s cinematically iconic almost right away. We know Jeff Lynne’s work as soon as we hear it, and we know how different it is from pretty much everything else released during his heyday. So when a director or music supervisor decides to pluck an ELO song from beneath the sonic umbrella of its respective LP, it’s a very bold move. Those strings wouldn’t be there if the song wasn’t building toward something larger. While something like “Boy Blue” rides on stadium-sized hooks, what really makes it soar are those strings, a trait that comes entirely from Lynne’s baroque pop and album-oriented sensibilities. It’s the classical thread that ties all of Eldorado(and most of ELO’s discography) together. Sure, Lynne was a hit machine throughout the ’70s and ’80s, but those hits always sounded so colorful and different because they were part of a larger puzzle. Those two things complement each other more than you’d think. In his review of Alone In the Universe, the first Electric Light Orchestra album in almost 15 years, our own Dan Bogosian correctly pointed out that, even though Jeff Lynne‘s music has become best known for its use in other pop-culture mediums, ELO is also very much an album band.
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